<p>The M.B. Quivey House is a historic two-and-a-half-story house in Mitchell, Nebraska. It was built in 1914 for Maurice B. Quivey, a businessman from Hamlin, New York who co-founded the Mitchell Mercantile Company with F. M. Raymond in 1905. The house was designed in "a vernacular interpretation of the Prairie School style of architecture" by architect J. W. Hall. It was acquired by Harold Coleman in 1946 and remodelled into apartments. It has been listed on the National Register of Historic Places since March 24, 1983.</p><br>
<p>Sandford Hall is a historic building in Mitchell, Nebraska. It was built in 1934 as a dance hall to replace the old Mitchell Dance Pavilion. It was dedicated by the American Legion on March 28, 1934, with performances by Herbie Kay and Dorothy Lamour. Over the years, performers included Stan Kenton, Ted Weems, Tommy Dorsey, Lawrence Welk, Kay Kyser, Artie Shaw, Les Brown, Glenn Miller, Harry James, Henry Busse, Art Kassel, Benny Goodman and Gene Krupa. The building has been listed on the National Register of Historic Places since July 9, 1997.</p><br>
<p>The Guadalupe County Courthouse in Santa Rosa, in Santa Rosa, New Mexico, is a former courthouse of Guadalupe County which was built in Richardsonian Romanesque style. It was built in 1909 and was listed on the National Register of Historic Places in 1987.</p><br>
<p>It was known as the Guadalupe County Courthouse, and has also been known as Santa Rosa Courthouse. It is a two-story building built of red sandstone. As described in its National Register nomination, it has "a hipped roof with pedimented and capped false parapet walls at varying heights. Located on the roof at the four corners of the building are carved sandstone eagles and urns; only one of the eagles remains due to deterioration. The false parapet on the southwest (front) facade is larger than the others and embellished with engaged stone pilasters, circular decorative stone inlay, and a cast panel which reads COURTHOUSE. The front facade consists of a central mass and two flanking bays. The second story is detailed with fluted stone engaged pilasters with eagle motif capitals, and a central enlarged window with dark stone quoins and arched transom." The courtroom was on the second floor. In 1987 the building was in deteriorated condition.</p><br>
<p>It is located at the northwest corner of S. Fourth St. and Parker Ave. in Santa Rosa. There was an earlier Guadalupe County Courthouse in Puerto de Luna.</p><br>
<p>It later served as a senior citizen center and later still as the Guadalupe County Youth Drop-in-Center.</p><br>
<p>Bayo Road, in Los Alamos, New Mexico, was listed on the National Register of Historic Places in 2003. It is also known as Bayo Canyon Road.</p><br>
<p>It is an unimproved road approximately 11,942 ft long, which "traverses the north wall of Bayo Canyon, a narrow</p><br>
<p>canyon located between Barranca and North mesas, Los Alamos." It is largely on bedrock, and runs east–west, in part through a ponderosa pine forest.</p><br>
<p>It is significant as a historic homestead road; it long served homesteads in the area. But in 1943 the area was abruptly closed to access when it was acquired for use by the Manhattan Project to build an atomic bomb, and Army security forces subsequently patrolled the area.</p><br>
<p>It perhaps coincides partly or wholly with the modern Bayo Canyon Trail, which is identifiable in online maps.</p><br>
<p>The Los Alamos United States Post Office, at 199 Central Park Sq. in Los Alamos, New Mexico, was listed on the National Register of Historic Places in 2015 as United States Post Office-Los Alamos, New Mexico.</p><br>
<p>It was built in 1948, as part of a Community Center funded by the USA Atomic Energy Commission (AEC). Control of the property was transferred to the postal service in 1947, but ownership was not transferred to the USPS until 1963.</p><br>
<p>The post office has a series of ornamental thunderbird grilles in its windows, which may have been created by artist Tony Dá, grandson of potter Maria Martinez.</p><br>
<p>It was listed after 11 years of effort.</p><br>
<p>It was designed by architects W.C. Kruger and Associates and is a one-story and basement building with a mixture of Modern and Territorial Revival design.</p><br>
<p>The More Hill Historic District in the East End area of Saint John in the USA Virgin Islands, was listed on the National Register of Historic Places in 1981.</p><br>
<p>It is a 6 acre historic district which included three contributing sites, and is located off East End Road.</p><br>
<p>It includes remains of More Hill Plantation, which was a cotton plantation, and is located within Virgin Islands National Park. It has also been known as Mt. Pleasant.</p><br>
<p>The plantation was established sometime between 1780 and 1800.</p><br>
<p>The site was deemed "significant for its remains of a modest cotton plantation of the late 18th century unaltered and disturbed by later development and different uses."</p><br>
<p>The Bohart House, at 510 N. Church in Bozeman, Montana, was listed on the National Register of Historic Places in 1987.</p><br>
<p>It is a brick house, probably built by Freeman Bohart in 1889.</p><br>
<p>It was deemed significant as "one of the last houses in Bozeman built during the building boom which was triggered in the early 1880s by the arrival of the Northern Pacific Railroad. This house represents the northern limit of the city&#39;s residential expansion during that active period." Only cultivated fields lay beyond the site, according to an 1890 Sanborn map. It is a one-story house with a gable roof and a hipped roof porch.</p><br>
<p>The East Anniston Residential Historic District, in Anniston, Alabama, United States, was listed on the National Register of Historic Places in 1993. The listing included 396 contributing buildings on 137 acre.</p><br>
<h2>Architecture</h2><br>
<p>The district runs roughly along Leighton and Christine Avenues from 11th St. to 22nd Sts. and along Woodstock Ave. from 11th St. to Rocky Hollow. It includes Prairie School, Bungalow/craftsman, and Queen Anne architecture.</p><br>
<h2>Notable contributing properties</h2><br>
<p>It includes:</p><br>
<p>Crowan Cottage (1886), individually NRHP-listed</p><br>
<p>Kilby House (1914), individually NRHP-listed</p><br>
<p>Saint Paul&#39;s Methodist Episcopal Church (1888), individually NRHP-listed</p><br>
<p>Crowan Cottage, at 1401 Woodstock Ave. in Anniston, Alabama, United States, is a house believed to have been designed by architect Stanford White and built in 1886. It is Richardsonian Romanesque in style. It was listed on the National Register of Historic Places in 1975.</p><br>
<p>Its architecture is described as "derived from the innovative work of Henry Hobson Richardson. The stretching of the roof planes to form the porches, and the lifting of roof planes to form dormers are Richardsonian features as is the sculptured treatment of the shingled second story which has been modulated to create flared surfaces and bow windows."</p><br>
<p>It is also a contributing building in the East Anniston Residential Historic District.</p><br>
<p>Kilby House, at 1301 Woodstock Ave. in Anniston, Alabama, United States, was built in 1914. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a large two-and-a-half-story Georgian Revival-style house with a hipped roof. It "is distinguished by its symmetrical massing and elaborate moldings. The five-bay central block, flanked by recessed three-bay wings, is centered by a segmentally curved pedimented portico with two fluted Doric columns and a fluted pilaster on each side." It was designed by architect William T. Warren and built by a Mr. Ratcliff, both of Birmingham.</p><br>
<p>It was deemed significant for its association with Thomas E. Kilby, who served as Lieutenant Governor of Alabama from 1914 to 1918 and as Governor from 1919 through 1923, and architecturally "as retaining perhaps the finest Georgian Revival facade remaining in Anniston."</p><br>
<p>It is also a contributing building in the East Anniston Residential Historic District.</p><br>
<p>The St. Cecilia Music Center, built in 1894 as the St. Cecilia Society Building, is a performance space located at 24 Ransom Avenue NE in Grand Rapids, Michigan. It was listed on the National Register of Historic Places in 1971.</p><br>
<h2>History</h2><br>
<p>The St. Cecilia Society was founded in 1883 as a women&#39;s club devoted to "musical improvement and to the development in the community." The organization was named after Saint Cecilia, the patron saint of musicians. The building underwent a major renovation in 1925 to expand the seating capacity. The building was renovated again in 2016.</p><br>
<p>In 1970, the St. Cecilia Society changed its name to the St. Cecilia Music Society; in 2007 it was changed again to the St. Cecilia Music Center. Over the years, a number of nationally known musicians, singers, and conductors performed in the building, including Ernestine Schumann-Heink, Edward MacDowell, Olga Samaroff, and Ossip Gabrilowitsch. In addition, the Grand Rapids Symphony was started under the sponsorship of the Society, and run that way for many years.</p><br>
<h2>Description</h2><br>
<p>The St. Cecilia Society Building is a two-story brick Renaissance Revival structure with a full basement. It has a flat roof covered with tar and gravel. The main facade is of brick on the second floor and stone on the first. There is terra cotta detailing around the arched and square window and door openings. The windows are of leaded glass, and the front entrance is flanked by elegant wrought iron entrance lights. A terra cotta frieze and cornice runs across the top. On the interior, the building contains a foyer, ballroom, office, small kitchen, an 80 foot by 100 foot auditorium, and dressing rooms.</p><br>
<p>The Graham House was built as a duplex home located at 325 Main Street in Lowell, Michigan. It was listed on the National Register of Historic Places in 1972.</p><br>
<h2>History</h2><br>
<p>Robert W. Graham emigrated from Great Britain and purchased a farm near Lowell in 1854. He both farmed and worked as a mason in Lowell and nearby Grand Rapids. In 1863, Graham married Emma Post, and in the early 1870s the couple and their family moved into Lowell. In 1873, Graham constructed this duplex home, with one half housing his family and the other half housing Emma&#39;s parents, Joseph and Julia Post.</p><br>
<p>One of the Grahams children was Ernest R. Graham, who went on to become a nationally recognized architect, working in Chicago. In 1899, Ernest Graham inherited the Lowell home, and rented it out as apartments. In 1922, he invited the Lowell library, then without a building, to use one half of the first floor. The library remained in the building even after Ernest Grahams death in 1936. In 1954, the village of Lowell purchased the house from the Graham heirs, to use as a home for the library. In 1997, the library moved to a new location, and by 2001 the Lowell Area Historical Museum had opened in the house.</p><br>
<h2>Description</h2><br>
<p>The Graham House is a two-story yellow brick Italianate structure on a stone foundation, built as a two-family dwelling. It has a bracketed roof with a wide overhang. The front facade is symmetrical, with each half of the duplex mirrored. The facade is divided into three sections: a flat center section with a projecting curved wing on each side. The center section contains a front porch on the first floor with a balcony above, both of which run the width of the section. The doors and windows of the center section are within rounded arches; the roofline above has a similar rounded section.</p><br>
<p>The Downtown Bessemer Historic District, in Bessemer, Alabama, is a historic district which was listed on the National Register of Historic Places in 1992. The listing included 70 contributing buildings on 26 acre.</p><br>
<p>The district is roughly bounded by 21st St., N., Carolina Ave., 19th St., N., 5th Ave., N. and the former Southern railroad tracks. Besides the 70 contributing buildings, it also included 71 non-contributing buildings and six non-contributing sites.</p><br>
<p>Some of the sites are:</p><br>
<p>the former Southern Railway Terminal Station (1916), 1905 Alabama Avenue, which was already separately listed on the National Register. Later became the "Bessemer Hall of History", a museum. It is a Prairie Style-influenced brick railroad passenger station.</p><br>
<p>Bessemer City Hall (1938–41), 1800 Third Avenue., a three-story buff brick building built in a modified Art Deco style, as a Works Progress Administration project. It has a square corner clock tower with the old City Hall&#39;s 1890 clock. It includes the City Auditorium.</p><br>
<p>Jefferson County Courthouse (1919), 1801 Third Avenue, a three-story buff brick building with "the enframed block design popular in the early decades of the 20th century, especially for government buildings". Its "end bays project slightly with recessed panels and inset Ionic columns; five bays in central section between that are defined by slightly projecting piers."</p><br>
<p>Berney Bank Block (1887), with Richardsonian Romanesque features</p><br>
<p>Alabama Power Building (1926)</p><br>
<p>The M and J Nelson Building  is a building in downtown McAllen, Texas, that is listed in the National Register of Historic Places and is a Recorded Texas Historic Landmark.</p><br>
<p>It is a three-story reinforced concrete two-part commercial block building built between 1948 and 1950 for the J. C. Penney Company. It was built in Streamlined Moderne style, with horizontal bands of red and buff brick and cast stone trim, and with aluminum entrance doors and stair rails and two exterior display cases at its Chicago Avenue entrance.</p><br>
<p>It was one of few buildings in McAllen having an elevator at the time it was built, and one of few with air conditioning.</p><br>
<p>The Woodbridge N. Ferris Building is a former federal building, which now houses classrooms and offices for the Kendall College of Art and Design, located at 17 Pearl St. NW in Grand Rapids, Michigan. It was formerly a USA District Court and Post Office. It was listed on the National Register of Historic Places in 1974.</p><br>
<h2>History</h2><br>
<p>In 1906, Congress appropriated $500,000 to construct a new post office for Grand Rapids. In 1908, the supervising architect for the Treasury, James K. Taylor, created a design for the building, visiting Grand Rapids in April to determine a suitable material for the buildings exterior. On February 12, 1909, Alice Roosevelt Longworth and her husband Nicholas Longworth III laid the buildings cornerstone.</p><br>
<p>The building was used by the USA Circuit Court until 1912, as well as the USA District Court and the post office. In the 1950s, Gerald R. Ford had his congressional offices in the building. In 1972, the post office and the court moved out into a new building. By 1981, the bottom levels of the building were converted to house the Grand Rapids Art Museum. That same year, the federal government turned the building over to the city of Grand Rapids. The art museum moved to a new building in 2007, and the former post office building sat vacant, although occasionally used for art shows. In 2010, Ferris State University leased the building from the city, and began redeveloping the building for use by the Kendall College of Art and Design. Redevelopment was completed in 2013, and the building was renamed after the founder of Ferris State, Woodbridge N. Ferris.</p><br>
<h2>Description</h2><br>
<p>The Woodbridge N. Ferris Building is a -story U-shaped Academic Classic building, constructed of structural steel with exterior masonry walls. The interior of the "U" is filled with a one-story portion of the building. It measures approximately 184 feet by 124 feet. The exterior is clad with stone, and the interior has concrete floors with mosaic surfaces, and interior partitions of plastered terra cotta. The roof originally had a slate surface, but is now covered with metal. The front facade is divided into three horizontal segments. The lower portion is the half-story basement, which is covered in large, smooth, stones and has small windows. The next segment contains the first story, a Renaissance Revival-style section containing large windows with arched heads and voussoired stones. The upper section of two floors contains half-round engaged columns along the front facade, modified into pilasters on the sides. Across the top is a classic cornice with small pediments at each end of the front facade.</p><br>
<p>Henry E. and Ella M.  Nicolaus House, also known as the Samuel G. and Mary Kelley House and the Rebeckah Allgood Residence, is a historic building located in Wilton, Iowa, United States. The house was already on this property when Henry Nicholas bought it in 1896. Nicolaus was a prominent local businessman and civic leader who represented Muscatine County in the Iowa House of Representatives. He and his wife Ella had the Queen Anne elements added to the house in 1898. The house features a three-story corner tower, prominent front porch, two balconies, and a stained glass window on the main facade. It was listed on the National Register of Historic Places in 2017.</p><br>
<p>The Building at 1406 Romero in Las Vegas, New Mexico was listed on the National Register of Historic Places in 1985.</p><br>
<p>It has stuccoed adobe walls built upon a stuccoed foundation, and an L-shaped plan. It has a food drying attic above what may be an original flat earthen roof.</p><br>
<p>It was deemed significant as an "unaltered, classic example of the New Mexico Vernacular type of about 1895.</p><br>
<p>The Eugenio Gatignole House, at 1114 S. Gonzales in Las Vegas, New Mexico, was listed on the National Register of Historic Places in 1985.</p><br>
<p>It has stuccoed adobe walls, a concrete coping at its base, a corrugated metal roof, and was built before 1902. The porch of the house is immediately adjacent to the Acequia Madre, an important irrigation ditch that also is National Register-listed, on the house&#39;s west side. It is approached from the street by a folk wooden gateway and a footbridge over the acequia. Steps then descend 5 ft to the level of the house. This approach is an important part of the historic setting.</p><br>
<p>It is New Mexico Vernacular in style. It was deemed significant as "a fine example of the Hybrid phase of the New Mexico Vernacular which combined the Hispanic building tradition with Anglo-American introductions. The adobe construction and single file plan with the implied linear internal circulation pattern come from the basic tradition; the pitched roof, orientation toward the street and the window/door/window symmetry are the more recent innovations. This combination appears to represent two or more stages of construction: first, a flat roofed building of three rooms (each with its own door?); second, between 1913 and 1921, the addition of the porches, pitched roof and, probably, the casement windows; third, the addition of a fourth room at the far north end. The typical gable door opens to a food drying attic. French born blacksmith Eugenio Gatignole was an early and longtime resident."</p><br>
<p>It is located just southeast of the southern end of the Distrito de las Escuelas.</p><br>
<p>The Acequia Madre, in Las Vegas, New Mexico, is a historic acequia which was built at the time of Las Vegas&#39; settlement in 1835–36. It was listed on the National Register of Historic Places in 1987.</p><br>
<p>It runs from the Gallinas River to the approximate intersection of S. Pacific and USA Route 85 in Las Vegas.</p><br>
<p>"Description: An earthen irrigation channel; 3-5 feet wide; and 2-3 feet</p><br>
<p>deep. Leaving the Gallinas River at a point due northeast of Taos</p><br>
<p>Street; proceeding southwest through unplatted land to the northeast</p><br>
<p>corner of Block 3 of the Baca and Sandoval Addition; proceeding south</p><br>
<p>along the east boundary of Blocks 3-4 of the Baca and Sandoval Addition</p><br>
<p>and Blocks E and F of the Original Town; proceeding through, then along</p><br>
<p>the west edge of, then through Block L of the Original Town; proceeding</p><br>
<p>south along the east boundary of blocks 50-53 of the Addition to the</p><br>
<p>Town of Las Vegas; proceeding south through unplatted land, dissipating</p><br>
<p>beyond the intersection of S. Pacific and USA 85."</p><br>
<p>"Significance; Work on the Acequia Madre, or main irrigation ditch,</p><br>
<p>undoubtly started the first or second year of settlement (1835-36), such</p><br>
<p>was its importance to a traditional Hispanic farming village. An east</p><br>
<p>side ditch and another on the west side, La Acequia Nuestra Senora de</p><br>
<p>Los Dolores, were constructed later, but both disappeared by the mid-1920s. The Acequia Madre appears as a property boundary in deeds</p><br>
<p>from the 1850s; were it served this secondary function, its location has</p><br>
<p>probably not changed."</p><br>
<p>"The system starts with a rubble stone diversion dam on the</p><br>
<p>Gallinas River due east of Taos Street. The earthen ditch itself, from</p><br>
<p>three to five feet wide and two to three feet deep, wends its way south</p><br>
<p>parallel to the river. In some communities, the ditch association, with</p><br>
<p>its elected leader or mayordomo served as a quasi-governmental</p><br>
<p>institution which sometimes became a focal point for resistance to</p><br>
<p>Anglo-American control. In West Las Vegas, where the Spanish-speaking</p><br>
<p>population retained a large measure of political control, the ditch</p><br>
<p>association has remained a secondary institution. That the association</p><br>
<p>and the ditch still operate, bringing water to fields along the river,</p><br>
<p>represents a still vital aspect of the original Hispanic village."</p><br>
<p>The National Register listing is defined narrowly to include just the waterway and its embankments.</p><br>
<p>The Eugenio Gatignole House is one historic house directly adjacent to the acequia (and its National Register photo also shows the acequia).</p><br>
<p>The Distrito de las Escuelas is a historic district in Las Vegas, New Mexico. It was listed on the National Register of Historic Places in 1980. The listing included 44 contributing buildings on 12 acre</p><br>
<p>It is a residential district of adobe houses. It includes Territorial and Spanish Colonial architecture. Its name is due to the nearby presence of an old Jesuit School and the West Las Vegas Schools.</p><br>
<p>The district extends along two streets running south from Las Vegas&#39; Plaza, S. Pacific St. and S. Gonzales St., plus along a cross-street, Moreno St.??</p><br>
<p>This district plus the Old Town Residential Historic District comprise the majority of the historic adobe area of Las Vegas.</p><br>
<p>"Today the district is one of adobe houses of various sizes and ages. This area has a remarkable coherence, with its low adobe buildings set close to the street interspersed with houses from the railroad era. There are surprisingly few buildings that detract from the character created by the two types of houses. The district&#39;s boundary is drawn to maintain this coherence. Throughout Old Town there are structures of similar quality, but the coherence found in this area is lacking."</p><br>
<p>"All of the structures in the district are identified as being significant, contributing, neutral, or intrusive. Those structures which are significant have architectural or historic value in their own right. Those that are contributing are important to the district, but have less value. Neutral structures, in their material and scale, neither add to nor subtract from the overall character, and intrusive structures detract from the character."</p><br>
<p>"The district extends along three streets, two of them south from the Plaza, The third is a cross the street. South Pacific was a major throughfare almost from the start, as it was the route of the Santa Fe Trail. Therefore a number of buildings, especially those which have no setback, date to the early years of Las Vegas 1 settlement."</p><br>
<p>The Owen Plantation House, or The Owen House, in Jefferson County, Alabama near Bessemer, Alabama, dates from 1838. It was listed on the National Register of Historic Places in 1976.</p><br>
<p>It was built in stages, starting with a one-story two-room frame cabin built in 1833, which later served as a dining and kitchen wing. The main section is a two-story frame building five bays wide, with a gabled roof and box cornice returns, started in 1838. It has end-exterior chimneys at both ends of the main section and at the far end of the kitchen wing. The front has a one-story porch.</p><br>
<p>In 1976 it was donated to the West Jefferson County Historical Society, to be restored and serve as a house museum.</p><br>
<p>It is located south of Bessemer on Eastern Valley Rd.</p><br>
<p>The Rosedale Historic District in Homewood, Alabama is a historic district which was listed on the National Register of Historic Places in 2004. The listing included 143 contributing buildings on 250 acre. Another part of the Rosedale Neighborhood is included in the NRHP as Rosedale Park Historic District .</p><br>
<p>It is a hilly residential neighborhood, located somewhat inaccessibly over Red Mountain ridge, from Birmingham, Alabama. Developers could not develop the property for white families, but the lack of transportation options did not dissuade black families, with less choices, from choosing to live there. It grew as a working and middle class African American neighborhood. It was surrounded by white suburbs and not allowed to expand.</p><br>
<p>It has many of "the best examples of working and middle class architecture, including residential/domestic, commercial, and religious, built c. late 1880s-1953 by and for African Americans in Jefferson County and the State of Alabama. Vernacular residential styles include many shotgun houses, particularly the concentration that remains on Loveless Street as well as a variety of bungalows and duplexes."</p><br>
<p>The history of the Rosedale Neighborhood has been documented by several local history projects by students and faculty from Samford University.</p><br>
<p>The Goodspeed Brothers Building is a commercial structure located at 188 Monroe Street NW in Grand Rapids, Michigan. It was listed on the National Register of Historic Places in 1980.</p><br>
<h2>History</h2><br>
<p>John W. Goodspeed was born in 1859 and his younger brother Theron was born five years later in 1864. In the early 1890s, the two men moved from Ypsilanti, Michigan to Grand Rapids and opened a shoe store. The business thrived, and soon the brothers constructed their own building in the heart of the central business district. By the turn of the century, construction was complete and the brothers shoe business was even better. However, in about 1907, the Goodspeed brothers decided to install a motion picture theatre in the upper story of the building, the first such establishment in the city. The new "Idle Hour Theatre" proved popular, and remained in business until 1928, when its small size began to affect its ability to compete with newer, larger theatres. After the theatre closed, the building was occupied by Marshalls, Inc., a womens wear shop, the by Renards Shoes, and later by the Eugene Hotel. In about 1980, the building was renovated to hold a restaurant.</p><br>
<h2>Description</h2><br>
<p>The Goodspeed Brothers Building is a five bay, four story steel-framed Chicago school structure covered with brown brick. On the front facade, the first floor storefront is non-original. The floors above the ground level are largely original, and each contains a band of five windows framed by decorative metal uprights and spandrels. The second floor windows project slightly, creating a low relief bay. Two large brick piers run on each side of the building from the ceiling level of the first floor to the corniceline. At the top, a simple cornice and plain brick parapet cap the building.</p><br>
<p>The Age-Herald Building, at 2107 5th Ave. N in Birmingham, Alabama, was built in 1910. It was listed on the National Register of Historic Places in 1984.</p><br>
<p>It was designed by Birmingham architect William C. Weston and is "one of the best examples of the Beaux Arts style in Birmingham". Also the "building is strongly associated with a major early newspaper in Birmingham—The Age-Herald. It was constructed to house the paper shortly after its creation in 1909 from a merger of The Iron Age and The Elyton Herald, and served as the headquarters of that paper until 1920."</p><br>
<p>The Lawrenceville Historic District is a USA historic district in Pittsburgh, Pennsylvania, which encompasses the majority of the Lawrenceville neighborhood. The historic district includes 3,217 contributing resources, many of which are rowhouses, commercial buildings, and former industrial properties built between the 1830s and early 20th century. The district was listed on the National Register of Historic Places in 2019.</p><br>
<h2>Notable contributing properties</h2><br>
<p>Allegheny Arsenal</p><br>
<p>Allegheny Cemetery†</p><br>
<p>Arsenal Middle School†</p><br>
<p>Bayard School†</p><br>
<p>Boys&#39; Club of Pittsburgh†</p><br>
<p>Butler Street Gatehouse†</p><br>
<p>Carnegie Library</p><br>
<p>Carol Peterson House</p><br>
<p>Consolidated Ice Company Factory No. 2†</p><br>
<p>Doughboy</p><br>
<p>Ewalt House (Demolished)</p><br>
<p>Foster School†</p><br>
<p>Holy Family Church</p><br>
<p>Iron City Brewing Company</p><br>
<p>Lawrence Public School†</p><br>
<p>McCleary Elementary School†</p><br>
<p>Mowry-Addison Mansion</p><br>
<p>Naser&#39;s Tavern</p><br>
<p>Pennsylvania National Bank Building</p><br>
<p>Pittsburgh Wash House and Public Baths Building</p><br>
<p>St. Augustine Church</p><br>
<p>St. John the Baptist Church</p><br>
<p>St. Mary Cemetery</p><br>
<p>St. Mary&#39;s Academy</p><br>
<p>St. Mary&#39;s Church</p><br>
<p>Turney House</p><br>
<p>USA Marine Hospital, Pittsburgh</p><br>
<p>Walton House</p><br>
<p>Washington Crossing Bridge†</p><br>
<p>Washington Vocational School†</p><br>
<p>†Also individually NRHP-listed</p><br>
<p>The Isaac Newton Clark House is a historic one-and-a-half-story house in Sutton, Nebraska. It was built in 1877 for Isaac Newton Clark, a teacher-turned-businessman from Ohio who served in the Union Army during the American Civil War in Illinois and eventually co-founded the city of Sutton. The house was designed in the Gothic Revival style, with a Neoclassical porch added in 1916. It has been listed on the National Register of Historic Places since December 15, 1983.</p><br>
<p>The Agee House in Birmingham, Alabama, at 1804 Twelfth Ave. S., was built around 1900. It was listed on the National Register of Historic Places in 1986.</p><br>
<p>It is significant as the "only existing example of fully-developed Shingle style architecture in Birmingham": "The house features important features identified with the style such as an overall free form entirely covered with textured shingles, a hipped roof with multi-cross hipped dormers, a half round two-story bay with a roof which blends into the volume of the main house roofline, banded windows and wrap-around porches. Dissemination of the academic Shingle style across America during the late 19th century was widespread but never highly popular, and it is especially rare in Alabama."</p><br>
<p>The house&#39;s wide eaves seems to evoke the later Prairie Style, and the repeated curves presages the later Streamline Moderne style.</p><br>
<p>The Alfred M. Bergere House, at 135 Grant Ave. in Santa Fe, New Mexico, was built in the 1870s. It was listed on the National Register of Historic Places in 1975.</p><br>
<p>It has been in the Pueblo Revival style since a makeover in 1926.</p><br>
<p>It was built as am L-shaped adobe building. The house quartered General and former President USA Grant, Mrs. Grant, and Mrs. Fred Grant during their visit to the area in 1880.</p><br>
<p>It is significant as "one of two surviving Fort Marcy Military Reservation officer&#39;s residences in addition to being the home of a politically and socially prominent New Mexico family".</p><br>
<p>The Delgado Street Bridge, across the Santa Fe River in Santa Fe, New Mexico, was listed on the National Register of Historic Places in 2015.</p><br>
<h2>History</h2><br>
<p>The bridge was built in 1927–28. A prior bridge on the site was torn away by floodwaters on September 30, 1904. Prior to the flood, the city had raised concern about flooding and scouring of the banks. A 1903 ordinance directed adjacent property owners to build breakwaters to protect the river bank, but not everyone complied. After the flood, the city directed its resources to building the breakwaters. A project was planned in 1905 to build the breakwater, but the city council only had $500 available to do the work, which was not nearly enough. They appealed to the county, but the county didn&#39;t have enough money either. Since New Mexico was still a territory at that time, there was a paucity of taxable property and no federal aid.</p><br>
<p>When New Mexico became a state in 1912, the city formed a planning commission with the vision of a "city different" emphasizing its traditional architecture and preserving its historic meandering streets. The plan included a park along the river and landscaped boulevards on both sides. This plan was not fully realized until the 1920s and 1930s. The Federal Aid Road Act of 1916 finally provided some federal government aid, and the State Highway Department was formed to supervise the</p><br>
<p>construction, maintenance, and repair of bridges. Unfortunately, this aid was only available for state and federal highways, and was not available for local streets.</p><br>
<p>The county was able to build a new bridge, the Bridge of Hidalgos at Grant Street, with the availability of federal aid in 1919, but this depleted the county&#39;s funding. During the 1920s, the city started to grow rapidly through migration and annexation, with its population doubling from 1910 to 1930, and the city began a program of beautification and infrastructure development. In 1926, residents petitioned the county commissioners to build a new bridge, and the board finally approved $15,000 to build three bridges over the Santa Fe River. On October 11, 1927, the board approved a bid of $6136.20 from the Levy Construction Company to build the bridge.</p><br>
<p>The bridge was designed as a reinforced concrete deck girder bridge, which was suitable for 25 ft to 45 ft unsupported spans. The lack of a supporting pier meant that debris would not be caught during flooding. It was given distinctive panelled railings, creating a gateway-like appearance as the railings wrapped away from the entrances.</p><br>
<p>The Ernest A. Calling House is a historic house in Gothenburg, Nebraska. It was built by L. J. Anderson in 1907 for Ernest A. Calling, an immigrant from Sweden who first arrived in the United States in 1889, became a businessman in Gothenburg, and died in 1945. It was designed in the Queen Anne style. It has been listed on the National Register of Historic Places since October 25, 1979.</p><br>
<p>The Hendee Hotel is a historic hotel building in Cozad, Nebraska. It was built in 1879 for John J. Cozad, the founder of the city of Cozad. One of his sons, Robert Henri, became a painter. Cozad shot a man in 1882, and he sold the hotel to Stephen A. Hendee, who remained its owner until 1910. From 1883 to 1885, it was rented to A. K. Maryott, whose son was painter Miles Maryott. The building has been listed on the National Register of Historic Places since March 21, 1979.</p><br>
<p>It is the main building of the Robert Henri Museum.</p><br>
<p>It is close to, but not included in, the Cozad Downtown Historic District, which was listed on the National Register in 2018.</p><br>
<p>The Sandra Day OConnor House is the historic home of former USA Supreme Court Justice from Arizona, Sandra Day OConnor. Originally built in Paradise Valley, Arizona, it was disassembled and moved to Tempe over two years beginning in 2007 to become the home of the Sandra Day O&#39;Connor Institute and was added to the National Register of Historic Places in 2019.</p><br>
<h2>Description</h2><br>
<p>The home was built in 1957 of adobe brick made from mud collected at the nearby Salt River. It is one-story with three bedrooms, floor-to-ceiling windows and is approximately. The design is mid-century modern with significant influences of Frank Lloyd Wright. O&#39;Connor and her husband placed some of the brick during the construction, and applied skim milk as a preservative. The original location was on Denton Lane in the town of Paradise Valley, a suburb of Phoenix.</p><br>
<p>In addition to Wright influences such as the large floor-to-ceiling windows that connect the inside to the outside environment, large overhangs to block the desert sun, and a modern "minimal palette of materials", the long narrow shape reflects the California ranch popularized by Cliff May. The house also features exposed adobe brick on the interior, red concrete floors and exposed wood structural beams. It was OConnors desire that the design of the house evoke memories of her childhood home, an adobe ranch house in Duncan, Arizona.</p><br>
<p>A post-OConnor owner of the property planned to demolish the home in order to build a larger residence on the lot. A preservation effort ensued which raised $2 million in private funding and the house was disassembled beginning in 2007. Each adobe brick was removed, individually numbered, and stacked for transport to the new location. Other parts were moved in large assemblies. In May 2008, land in Tempes Papago Park was allocated by unanimous vote of the Tempe City Council. Reconstruction was completed in 2009. The house was rebuilt in its original geographic orientation.</p><br>
<p>The new location is within the Carl Hayden Campus for Sustainability at the park, is adjacent to the Arizona Historical Society Museum, and overlooks the city of Tempe and the Salt River. The site was designed by landscape architect Christy Ten Eyck.</p><br>
<h2>Residence</h2><br>
<p>OConnor made her residence in the house from 1958 to 1981, when she was appointed to the Supreme Court by President Ronald Reagan. OConnor frequently entertained political figures at the house, including USA Senator and Republican presidential nominee Barry Goldwater and former Democratic governor Bruce Babbitt. "Anyone who was anyone in Arizona politics in the 1960s, 1970s was in that house having dinner with Justice O&#39;Connor," according to Arizona State Preservation officer Kathryn Leonard.</p><br>
<p>OConnor loved to cook and liked preparing Mexican food including chalupas. The OConnors served guests on the large patio. According to Leonard, "This is where she had these very productive policy conversations. When people were breaking bread with each other... and getting to know each other as individuals, she believed there was almost no problem that couldnt be solved over one civil dinner."</p><br>
<h2>Nomination</h2><br>
<p>The Sandra Day OConnor Institute and the Arizona State Historic Preservation Office had been working to have the home listed for about ten years. Much of the delay was due to the fact that the home had been moved from its original location. The National Park Service normally does not consider properties that have been moved, nor those associated with a living person. Supporters countered that the move and renovation was done with the "input" of OConnor and allowed the building to be used for "civic education". The institute uses the building for "workshops, meetings and special events."</p><br>
<p>Arizona State Preservation officer Kathryn Leonard said "In the case of Justice O&#39;Connor, she is iconic and quite obviously a living legend. I think that was a very clear sell to the National Register folks."</p><br>
<p>The board chairman of the O&#39;Connor Institute, Matt Feeney said "Her storied life is symbolized by this iconic structure that embodies her character and quest for civil discourse."</p><br>
<p>The nomination also had the support of Arizona&#39;s senators Martha McSally and Kyrsten Sinema. McSally hoped that listing the house would "preserve her legacy for generations to come."</p><br>
<p>Although moved from its original location, the house was still eligible for listing as "the singular surviving property most importantly associated with an historic person". OConnor is one of Arizonas "most recognizable and influential public figures". She served as Arizonas attorney general for four years until being appointed to the Arizona Senate in 1969 where she won reelection twice. She became the Senate majority leader in 1972, and was the first woman in that position in any state. After the senate, she was a Maricopa County Superior Court judge and then served on the Arizona Court of Appeals. Becoming the first woman on the Supreme Court elevated her stature in Arizona and gave her national recognition. She was awarded the nations highest civilian honor, the Presidential Medal of Freedom, in 2009.</p><br>
<p>Allen&#39;s Opera House is a historic commercial building in Cozad, Nebraska. It was built by Charles Hart and Mr. Shanholt in 1906 for Charles E. Allen, a businessman and banker who co-owned the Cozad State Bank and the Allen General Store. Both businesses were located on the first floor. The building has been listed on the National Register of Historic Places since September 28, 1988.</p><br>
<p>The Thomas J. Majors Farmstead is a historic estate with a two-story house in Peru, Nebraska. The house was built in 1898 for Thomas Jefferson Majors, after he had served as a member of the United States House of Representatives from 1878 to 1879, and as Nebraska&#39;s lieutenant governor from 1891 to 1895. The house has been listed on the National Register of Historic Places since June 15, 1978.</p><br>
<p>St. John&#39;s Lutheran Church Complex is a historic church complex, including two church buildings, a parsonage, and a cemetery, in Auburn, Nebraska, United States. The Old Stone church was built in 1867–1868, and designed by Christian Schwan, a German immigrant. Another church was built in 1903, and designed in the Late Gothic Revival architectural style. A two-story parsonage was completed in 1925. The complex includes a cemetery with over 500 tombstones. The church complex has been listed on the National Register of Historic Places since January 25, 1979.</p><br>
<p>The Auburn United States Post Office is a historic building in Auburn, Nebraska. It was built in 1936–1937, and designed in the Georgian Revival architectural style. Inside, there is a mural by Ethel Magafan, completed in June 1938. The building has been listed on the National Register of Historic Places since May 11, 1992. It was recorded in the NRIS database as US Post Office-Auburn.</p><br>
<p>The New Opera House is a historic building in Auburn, Nebraska. It was built by William Dorrum in 1894 for the Auburn Building and Improvement Association. Over the years, it hosted many performances and political events, including speeches by Congressman/Senator Elmer Burkett as well as Governor George L. Sheldon. It has been listed on the National Register of Historic Places since September 28, 1988.</p><br>
<p>The Belview Heights Historic District, in Birmingham, Alabama, is a historic district which was listed on the National Register of Historic Places in 2000. It runs roughly along 41st., 42nd., 43rd., 44th, and 45th Sts., and M and Martin Aves. The listing included 355 contributing buildings on 150 acre.</p><br>
<p>It includes 20 of the original 30 square blocks of Belview Heights, a neighborhood developed in the former town of Ensley, Alabama.</p><br>
<p>The district has "an impressive assemblage of architectural styles popular in residential suburbs throughout the United States in the first half of the 20th century" and in particular "boasts one of the largest saturations of Tudor Revival architecture in Birmingham, reflecting the popularity of that particular style from the 1920s through the 1940s. The district contains examples of Colonial and Spanish Revival, American Foursquare, minimal traditional, and ranch houses as well as a large number of Bungalow/Craftsman dwellings. Of the 423 resources located in the historic district, 154 can be classified as Tudor Revival-style."</p><br>
<p>It includes two non-residential buildings:</p><br>
<p>Central Park Fire Station #24 (c.1915), 1644 44th St, Tudor Revival in style, a common bond brick and steel two-story building noted as "an excellent example of utilizing early twentieth-century revival-style architecture in the design of a municipal building. The Tudor Revival style fire station blends-in with the surrounding residential architecture of the district."</p><br>
<p>Central Park Presbyterian Church (c.1950), designed by Birmingham architect George Turner, whose architecture includes "Spanish and Mediterranean elements, including buttresses, spiral colonettes, palladian windows, a tile roof, and an octagonal lantern resting atop a three-tiered square bell tower. From the 1920s through the 1950s, George Turner, the architect of Central Park Presbyterian Church, designed scores of dwellings throughout Birmingham in the Spanish and Mediterranean Revival Styles, including a number of churches."</p><br>
<p>Estate Perseverance, near Charlotte Amalie on Saint Thomas in the USA Virgin Islands, was listed on the National Register of Historic Places in 1978. The listing included a contributing building and a contributing site on 2 acre.</p><br>
<p>It is located about 4.5 mi west of Charlotte Amalie, on the southern shoreline of Saint Thomas, about 800 yd inland from Perseverance Bay.</p><br>
<p>The earliest available record shows it was owned by a Mrs. Mary Fogerty in 1811.</p><br>
<p>It includes a T-shaped one-story sugar factory building built upon a high cellar, with its larger section being about 29x73.5 ft in dimension. It once had a timber hipped roof. It includes Classical Revival details.</p><br>
<p>The Lakewood Historic District in Birmingham, Alabama is a historic district which was listed on the National Register of Historic Places in 2000. The listing included 53 contributing buildings on 40 acre.</p><br>
<p>Location: Roughly bounded by Lee Ave., 82nd St., Spring St., and 80th St.</p><br>
<p>Year of construction: 1920</p><br>
<p>It includes work by Birmingham architect George Turner.</p><br>
<p>Architecture: Mission/Spanish Revival, Tudor Revival, et al.</p><br>
<p>Historic function: Domestic</p><br>
<p>Historic subfunction: Single Dwelling</p><br>
<p>Criteria: architecture/engineering</p><br>
<p>The House at 913 2nd, in Las Vegas, New Mexico, was built around 1885. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a wood frame and adobe house with a stucco exterior, built upon a random ashlar sandstone foundation. It has lathe-turned porch columns and railing, and stickwork in its gable. The front portion, built around 1885, "is a very good, unaltered example of the L-shape variety of the Wood Vernacular house type&quot the rear portion of adobe was added soon after.</p><br>
<p>This is one of three adjacent houses, with House at 915 2nd and House at 919 2nd, listed together on the New Mexico state historic register and on the National Register, which all face upon the Second Street Triangle Park (listed on the state register, which is a triangular park), and beyond that USA Route 85 and some commercial buildings. They are located just northeast of the North New Town Historic District.</p><br>
<p>Together they "present a still-coherent piece of the historic fabric. They developed as a modest residential park like Library Park before the designation of USA 85 turned Grand Avenue into a major thoroughfare."</p><br>
<p>The House at 915 2nd, in Las Vegas, New Mexico, was built around 1885. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a wood-frame house with wood shingles upon a hipped roof and dormers. It has small enclosed eaves with wooden modillions. End boards are treated as pilasters. It has symmetrical hipped roofs which combine with asymmetry from its bay and porch to make it "a modest but well done example of the local Free Classic style."</p><br>
<p>Its house plan was used for this house, for the House at 919 2nd adjacent to the north, and, in mirror-flipped version, for a North New Town Historic District house (#455).</p><br>
<p>It is one of three houses, along with House at 913 2nd and House at 919 2nd, which together face a triangular park and were nominated for historic registry listing together.</p><br>
<p>The House at 919 2nd in Las Vegas, New Mexico was built around 1885. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a wood-frame house with stucco over original clapboard or other exterior surfaces. It has a hipped roof and small enclosed eaves with some modillion brackets, though some eave brackets have been removed. It has "lumberyard classic columns" and a "folk porch railing".</p><br>
<p>It is the northernmost of three historic houses (along with House at 913 2nd and House at 915 2nd) facing a triangular park which were together nominated for National Register listing, and its significance is that same as for the nearly identical house next door (Building #294).</p><br>
<p>The Ford Motor Company Assembly Plant is a historic former automobile assembly plant in the Bloomfield neighborhood of Pittsburgh, Pennsylvania. Located along a stretch of Baum Boulevard nicknamed "Automobile Row" due to its high concentration of auto-related businesses, the plant was built in 1915 by Ford Motor Company to assemble Ford Model T cars using the companys pioneering mass production processes. It was designed by Fords corporate architect John H. Graham, Sr. and constructed from reinforced concrete. The plant consists of an eight-story main building which contained the assembly areas and a vehicle showroom, and a six-story crane shed which was used to hoist parts unloaded from the adjacent Pennsylvania Railroad tracks to the appropriate level for assembly. Due to the steeply sloping site, the building has only five stories above grade along the street elevations.</p><br>
<p>The plant stopped producing cars in 1932, but remained in use for vehicle and parts sales until 1953. The building then went through a variety of light industrial uses before being purchased by the University of Pittsburgh Medical Center (UPMC) in 2006. It was subsequently purchased by the University of Pittsburgh in 2018, the same year the property was added to the National Register of Historic Places. It is currently being renovated to house the UPMC Immune Transplant and Therapy Center, a collaboration between the university and UPMC. The center is scheduled to open in 2022.</p><br>
<p>The Pittsburgh Brass Manufacturing Company Building is a historic building in the Strip District neighborhood of Pittsburgh, Pennsylvania. It was built in 1903 by the Pittsburgh Brass Manufacturing Company as a production facility for brass and brass goods. The four-story building housed a foundry with coke furnaces for producing raw brass along with casting, rolling, and machining equipment for manufacturing finished products. Pittsburgh Brass used the building until the 1970s, after which it was left vacant for about 40 years. In 2015, the building was renovated and converted into 14 loft apartment units.</p><br>
<p>Pacific Coast Company House No. 75, also known as Baima House, is a private residence in Newcastle, Washington. Built in 1880 or earlier, it was added to the National Register of Historic Places in 1979. The house is the only surviving structure associated with the early development of coal mining at Newcastle and is an example of the type of housing in which miners lived.</p><br>
<h2>Description</h2><br>
<p>The house is a 24x25 ft one-story wood frame building that is situated on a 1.5 acre rural lot. The interior is sectioned into four rooms. Front and back porches were added in 1928. Additional outbuildings were added in the early 1900s.</p><br>
<p>The original cedar shingles on the roof have been replaced with corrugated sheet metal and composition roofing. The original wood post foundation has been replaced with concrete blocks.</p><br>
<h2>History</h2><br>
<p>Newcastle was home to hundreds of mining families during the latter half of the 1800s, many of whom were first and second generation immigrants. The mining town had more than 600 miners&#39; dwellings, both two-story boarding homes and one-story cottages for bachelors and families. The Baima house was built in 1880 or earlier on land owned by the Seattle Coal and Transfer Company.</p><br>
<p>When the land was sold to the Pacific Coast Company in 1898, the house was designated Company House No. 75. In 1907, an immigrant from Italy, Bernard Baima, and his family rented Company House No. 75. Bernard Baima died in 1916, and his widow purchased the house in 1920. The other houses and buildings in that mining community were demolished after mining ceased, but because members of the Baima family owned No. 75 and continued to live there through 1977, it is the sole remaining structure of the old mining town.</p><br>
<p>Later owners restored the house to good condition. In 2018, the property owners were working with the city on the possibility of establishing a small public park to preserve the house, and the city approved a non-binding memorandum of understanding in June, 2018.</p><br>
<p>Fort Theater is a historic two-story building in Kearney, Nebraska. It was built in 1914 as The Empress by F.G. Keens, and designed in the Classical Revival style. After it was partly destroyed in 1940, it was purchased by Don and George Monroe, who added a marquee to the facade; it was designed in the Moderne style by architect Edward J. Sessinghaus. Inside, there are murals by Joyce Ballantyne. The building has been listed on the National Register of Historic Places since July 12, 2006.</p><br>
<p>The Erick Gustave Sanders Mansion is a private residence located in the Green River Valley outside of Kent, Washington. Built in 1912, the property was added to the National Register of Historic Places in 1986.</p><br>
<h2>Description</h2><br>
<p>The mansion is a Craftsman style two-story foursquare wood-frame house on 6.08 acre. Three sides of the house are surrounded by a deep verandah. The ground floor contains a living room, dining room, kitchen, pantry, library, maid&#39;s room, and a bathroom. Upstairs are four bedrooms and a bathroom. All of the rooms are finished with dark-stained fir woodwork.</p><br>
<h2>History</h2><br>
<p>Erick Sanders was a Swedish immigrant and president of the Standard Investment Company. With two partners, he purchased 660 acre near Kent, where they established the Standard Dairy and Standard Mill. Sanders built his mansion adjacent to the dairy, using lumber from his own mill. He obtained the stained glass for the home from the Alaska–Yukon–Pacific Exposition.</p><br>
<p>Sanders died unexpectedly, two years after completing the estate. The property went to his daughter, and then was sold. In 1942, Harold Stewart purchased the mansion and lived there for around 40 years. The house and grounds deteriorated during Stewart&#39;s ownership.</p><br>
<p>In 1986, the Advent Christian Church of Seattle purchased the property and began restoration. The church would hold services in the living room. The church sold the property in 2005, and it has had several owners since.</p><br>
<p>Thorpes Opera House is a historic three-story building in David City, Nebraska. It was built in 1889 for William Thorpe. The facade includes arches and scallops. Inside, there is an auditorium and a balcony. Besides being used for the performing arts, the facility also hosted events with the Womans Christian Temperance Union, fraternal organizations, political events, and high school reunions. It has been listed on the National Register of Historic Places since September 28, 1988.</p><br>
<p>The Lodgepole Opera House is a historic building in Lodgepole, Nebraska. It was built by Frank Isenberger in 1911. Besides the performing arts, it hosted basketball games and events for organizations like the YMCA, the Commercial Club and the Ladies&#39; Aid Society. The building was called "an ornament to the city" by the Lodge Pole Express in 1911. It has been listed on the National Register of Historic Places since July 7, 1988.</p><br>
